What you are watching is the land during the eclipse.
The work is assembled from the same library of 1,024 Geo-Surrealistic Landscapes using the same perceptual color matching reconstruction algorithm. At rest it reconstructs the source photograph with each tile chosen for how closely its color resembles the region it covers.
As the moon moves across the sun above Sant Martí Sarroca, the tiles begin migrating toward wrongness. Color drains. The palette cools and darkens. Structure survives because luminance survives: the sky is still light, the soil still dark, the hills still hills. But the colors are those of a world the sun has partially abandoned. At maximum, the vineyard is recognizable but alien: assembled correctly from the wrong pieces.
Then, slowly, it returns. Not completely. Sunset arrives before the eclipse ends.
The light came back. The almost is where it lives.